A Bang Up Job
I had a great experience shooting "Thief". There were lots of great actors to go back and forth with (Andre Braugher, Clifton Collins, Jr. ["Capote"], Randall Duk Kim [The Keymaker from "The Matrix Reloaded"]) and it was a very diverse cast as well. The 6-episode first season is supposed to air in March 2006 on FX.

I'm really glad I got to finally meet and work with Will Yun Lee. He and I had never met before but I couldn't help but inadvertently follow his career since we started working in the business around the same time. He's a super nice guy and I'm honestly jealous that he can pull off the whole "David Beckham/long hair pulled back in a bun" look. If I were to grow my locks that long, I'd look like Ryan Cabrera.
But the one memory I'll keep with me from the shoot is my fight scene with Michael Rooker ("Days of Thunder", "Mississippi Burning"). When my wife found out I had some stunts to perform, she was like, "Aren't you excited?"
To which my reply was, "Um, not really."
Because after doing stunts this year on "Hatchet", "The Gene Generation" and "Jane Doe", I have a good handle on how things usually pan out, at least for me:
1) The choreography of the stunt is worked out.
2) I try it out.
3) I get hurt/get the wind knocked out of me because something isn't going as planned and needs to be adjusted.
Unfortunately, there's really no way to avoid this trial and error process because ultimately the stunt needs to be performed in real-time and seen in order to pinpoint the error.
During rehearsals, I observed Rooker was a pretty physical guy -- he was really into his character, who in the scene is supposed to be laying a serious beat down on my character.
No big deal, I've dealt with heavy-handed actors before (heck, I survived an un-choreographed kick to the stomach from Daniel Zacapa's steel-toed boot on "TGG"!) I just made sure to protect myself and pad up in the places he was hitting me during rehearsals (elbows, knees & hip).
We shot the scene a few times from one angle, then another, then another. By the 10th time we did the scene, I noticed my right calf was killing me - so much that I was limping. Then I noticed in the following take that Rooker's left heel on his shoe kept nicking my calf during our scuffle. So for the next take, I asked for a shin guard to compensate. But the damage was done and I had to hide my limp for the rest of the shooting day.
Then in a later stunt, I was supposed to get pushed down onto a
mat. But when "Action" was called, I was knocked down way past the mat and my head conked onto the concrete floor.
Although the mat was adjusted accordingly for the next take... the damage to my noggin was already done. But again, there's no other way to do it than to see it played out first. All you can hope for is to not get too hurt in the process. That's why all the
stunts involving gun play freaked me out -- because one usually doesn't get a second chance when guns are involved.
The stunt coordinator felt so bad with the beating I was taking, he bought me an hour massage at the spa in my hotel. I had to wait a few days for my bruises to come down before
booking the massage so that I could actually enjoy the rubdown.
But when all is said and done, I got home in one piece and can now just relax and spend my first Christmas with my latest addition to the family... oh, wait... that's until after I get my hair extensions back in next Thursday for the upcoming "TGG" reshoots.
Damn.
And going off on a total tangent, one day in Shreveport, I woke up in my hotel on the 19th floor, opened the blinds and saw this guy just chillin' out on my window ledge!
I think it's a hawk.
I was almost late to be picked up for work because I was standing there for like 20 minutes just staring at it's feathers, strong beak and talons. What a treat to get to see such a beautiful creature up close.
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